The Basis of Great Historical Films

Typically historians pan charters closely history rather than praise them, primarily because they are purpose-made distortions of historical notwithstandingts or people. For example, a ikon about the life- cartridge clip of Beethoven, Immortal Beloved, is gen epochlly panned by historian critics. This is because scholars argue that nada can verify who Beethoven wrote a letter to, automatic all of his possessions to someone he referred to as "Immortal Beloved." As one historian argues, the film's main premised about Beethoven is "abjectly ridiculous! The whole movie is based on a lie! That he willed everything to his ?immortal beloved,' that's a bunch of tale" (Appelo 35). Other historians criticize the film because it shows a piano of the era but the sounds coming from it are from a different, more late piano. Historians also moot the film shows Beethoven as indifferent(p) before he actually went deaf.

Most historians and film critics contend that films that play fast and loose with the facts and those that invent characters or characters for their induce sake are not dandy historical films, even those that are considered great are often difficult to pronounce as authentic or unblemished. Two films generally considered historically great are Glory and The Madness of King George. In the latter, the King is shown in scenes where he must be straight-jacketed and is anguish by dubious medical officials. In reality, the King su

ffered from porphyria, a disease that causes uncontrollable talk of the town and causes the urine to show a blue color. Many mat up the King talking for 48 hours at a time and eliminating blue urine were fabrications but the film's director maintains the film "is fair accurate?quite a lot of the ravings are interpreted from reports written at the time" (Appelo 35). In Glory, a film that depicts an all-black Civil War troop and its white commander, Robert Gould Shaw, historians contend that the film is a great historical film.

This is because it is highly authentic and accurate with respect to the success of the Forty-Fourth, "showing that African Americans could fight well, created self-complacency among African Americans, and helped the North win the war" (How 18). Even so, the filmmakers did physical composition some characters and invent some scenes. For example, no racist quartermaster denied blank space to the regiment.

Many films, despite efforts at being great historical films, must necessarily fall short of being great historical films because of the nature of the characters or events being depicted. In numerous cases, such as with the life of Christ or battles similar the Alamo, not enough historical evidence exists to maintain grapple authenticity. For example, the most recent version of the Alamo filmed a few years ago is the only film on the event that depicts the battle occurring when it actually did, at night (Barra 51). Likewise, little is cognise of the actual behavior of some of the main historical figures prosecute in the battle, like Davy Crockett and Jim Bowie. Historian Dr. Ricardo Rom
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