The Scrivener, Occupation of Isolation by Bartleby

Within three feet of the panes was a wall, and the light came down from far above, between two raised(a) buildings, as from a very small opening in a dome. Still further to a satisfactory arrangement, I procured a high green folding screen, which might all told isolate Bartleby" (Melville 5).

What is ironic about the lawyer's not understanding and macrocosm irritated by Bartleby's inactive resistance is the fact that he himself has done all he can do in spite of appearance the framework of a capital structure to isolate individuals through a daily grind and routine of the most habitual, successive and conservative work imaginable-all for the least amount of money he can pay. What serves to ca utilization him irritation and yettually curiosity regarding Bartleby is that Bartleby does not exhibit the eccentricities of the other scriveners, ones that the lawyer justifies tolerating because they do their job plumb well for very little pay. The lawyer has been cold and unsympathizing during the first half of the story, but, as Bartleby more and more

seems to thrust no place in flavor where he fits except for his write work, the narrator begins to forge fellow feeling for him. However, despite all of his efforts to engage Bartleby, Bartleby becomes more and more liberal to do anything at all to justify why he should be in the law offices in the first place-including copying which is the only thing he has ever done until even that is something he would prefer not to do, "He remained as ever, a jam in my chamber. Nay-if that were possible-he became still more of a fixture than before. What was to be done? He would do nothing in the office: why should he stay there?

In plain fact, he had become a millstone to me, not only useless as a necklace, but dreadful to bear" (Melville 15). Melville's shows his genius by presenting this story from the narrator's perspective because he completely fails to understand that his behavior toward his scriveners, and the nature of capitalism are what drive people to lose their identity and become no more than mere fixtures, one more machine in the assembly line of making money, so-to-speak. Bartleby perplexes the narrator so oftentimes because he refuses to demonstrate any of the eccentricities of the other scriveners, eccentricities and signs of individual identity that allow the narrator to justify his economic use and check perspective of them. He puts up with their idiosyncrasies because he can use them to make money. Bartleby does not exhibit any idiosyncrasies other than his passive resistance and complete and escalating withdrawal from even the work at hand that he used to do. Thus, his identity and humanity have been comple
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