The History of the Downfall of the Ming Dynasty

Juan, however, is despised by sweet-smelling Princess and when she renounces his presents in favor of Hou's fan, Juan defames Hou by declaring Hou a traitor, forcing Hou to flee and savour to clear his name. When the Ming court escapes Nanking in 1644 and flees south, Juan forces aromatic Princess to marry some other man, and she injures herself in her attempt to fight off those who would carry her away, create her blood to stain the fan that Hou Fang-yu had given to her. Meanwhile, the painter Yang, who had introduced the ii lovers, sees the blood stains on the fan and compares the stains with smash blossoms, painting in leaves and petals to enhance the picture. Fragrant Princess and so sends her fan to Hou as a token of her love while she is forced to enter the castling in the acting troupe, where she is given yet another peach blossom fan from Prince Fu. At the, end, when the southern kingdom is be destroyed, both Fragrant Princess and Hou Fang-Yu find their way to the mountains, where they are reunited in brief before both realize the transitory nature of material love and decide to join the Taoist monks.

This scene, Part 1, survey 1, The Storyteller, is not quite the beginning of the twist, being only preceded by the Prologue. While the prologue advises the audience of where the walkaway exists in reality - whether it is a history or fantasy and what time period it is in - Scene 1 advises the audience of the precise nature of

Wu: Terraces and towers seem myriad blades of grass.

Frolic disregardless of the fall of kings

The weeping willows burgeon once again.

K'ang Shang-Jen strove to show the representation nature of feeling in general, but political life in particular, using the love affair between Hou and Fragrant Princess as a means of illustrating the turbulence of the end of the Ming Dynasty. This musical composition used this assumption to analyze Scene 1 from the play The Peach Blossom Fan by K'ung Shang Fen. It summarized the play, as fountainhead as how this particular scene fits within the play and then discussing the historical context and significance of the play and the characters within the play. Finally, on that point was an analysis of the scene itself.

In his opening speech, Hou also announces where he is in his profession and Chinese society; what he believes and what he longs for - someone to share his life with (lines 20-35). Then, he goes off to take care his literary friends so that they might at least grip him company during this poignant time (lines 36-39). All these themes are determined out at the beginning of the scene, at the beginning of the play to show the audience the turbulent time of the play, the romantic and clarified nature of the hero, and the possible tensions that may come into play.

Historical background of Play and Scene

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