The Bicycle Thief & international ampere;#9; other bewitching example of neorealism is The Bicycle Thief (1948), written by Cesare Zavattini and direct by Vittorio De Sica. The narrative of this demand unfolds in post-W.W.II times. The film is a portrait of the post-war Italian disadvantaged class (the majority) in their chase for self-respect. It is a time of struggle for the Italian people, amplified by a shortage of employment and lack of social services. In the commencement scenes of the film, these conditions are evident as Antonio Ricci (Lamberto Maggiorami) meets his spouse mare (Lianalla Carell) on his way back home.
We see the "men" argumentation at the employment "office" as the "women" argue nigh the shortage of water. Although the directors pessimism drives the plot, it is ultimately the clash with human optimism which gives this film affective power. 	Antonios wise job can puzzle his family new hopes and happiness, which are drastically destroyed when his bi...If you want to give a full essay, order it on our website:
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