With its animatronics technology, Jim Hensons 1982 film, The Dark Crystal, in both form and theme depicts detect elements of David Leemings description of the hero myths rites of passage in The World of fabrication: An Anthology. As in Leemings rites of passage, in this film the protagonists heroic experiences strain him to wholeness and full individuation (220). At the formal level, by c formerlyaling peter strings, providing puppets with exceptionally life-like and fluid motions, and creating convincingly critical puppets, Hensons detail-rich and realistic animatronics technology allows his puppet-hero, Jen, to grow both beyond his filmic fix figure, urSu, as well as beyond the confining puppet strings of the traditional puppet master. Thematically, too, Jen experiences the rites of [ existence] born when . . . needed (218), of being call[ed] to adventure (219), and of being faced with trials and danger (219), that Leeming discusses as do up the passage into individuation.
As Leeming describes, heroes are born when the need for them arises; this normally happens during a dark period in the cultures history (218). In The Dark Crystal, Jen, who belongs to a nearly extinct race cognise as Gelflings, is born after the Crystal is cracked and a shard of it is lost.
As with Leemings dark period, the events initiated by the crystals shattering coiffe the end of a period of light; here the gigabyte years of the green and goodness of the land once maintain by the Crystal become darkness and ugliness once the crystal is shattered. This dark period is also marked by the claiming of the land by the cruel and evil race of Skeksis. do this period of the heros emergence in the film even darker, the Skeksis, in their attempt to avoid fulfillment of the prophecy that a Gelfling would bring down them, begin...
If you want to get a full essay, wisit our page: write my paper
No comments:
Post a Comment