History & Memory Mark Bakers fiftieth supply & Chris Nolans Memento
& the Sydney Jewish Museum
Argument schoolbookTechniqueConceptual Expansion & quote/example
Challenge of tarradiddle go off be fabricated, manipulated & insufficient50th G*cyclical story canal
*Uses salient example of Leo Krockmals autobiography
*Use of replacement forms (poetry, letters)
*Baker initially relies on business relationship but as the book progresses he begins to realise the need for reminiscence. He uses palaver in does history remember more than memory? Gate 24*Baker uses a cyclic story song to express the insufficiency of historys information ludicrous so must have alternate discourses.
*Leos brief autobiographic encounter show his attempt to Germanise his lifetime Baker criticises the distortion of history
*Baker uses alternate forms of poetry, letters and interviews to distinguish for historys emotional insufficiencies history is impersonal.
*Gate 24 rhetoric Does history remember more than memory? and portrays history as dark shadows without screams.
MMTO*Symbolism of history in tattoos & photographs
*Irony in use of detective parablealisation genre (ironic as he sets himself up & kills the wrong guy)
*cyclical storyline
*Coda just because you cant see it doesnt mean its not there*Allows viewer to construe history as a tangible aspect can be fabricated eg: Lenny, who destroys and creates photographs
*Irony in detective fiction genre shows further the unreliability of history, as Lenny in pursuit of truth fabricates a historical truth. He then claims that it is -You go intot have a truth. You make up your confess truth Teddy. through setting him up.
*Cyclic story line similar to 50th G shows inconclusiveness of history.
*Coda shows his eventual misgiving of the need for emotional memory not just crystalline historical proof.
Challenge of memory can be unreliable, unaccented & painful50th G*Non-linear structure
*Juxtaposition of history & memory Gate 23...If you want to get a full essay, coif it on our website: Ordercustompaper.com
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