In the icon Gattaca, tell by Andrew Niccol, the beginning and ending scene use picture palace techniques in a connected way that links them. This linking of the curtain raising and closing scenes helps develops the idea- we can reach beyond our circumstances.
The film techniques in the rise scene reveal to the audience a cramp and prison-like knowledge base. The first images we see are extreme snug ups of separate of Vincent, the main character, magnified as they fall from the sky against an evade blue lit background. The camera then zooms out to more extreme close ups as he shaves his neck. We see move of his body behind bars and the shots get progressively advance away as we see him cramped in a tiny room behind bars painstakingly clean himself. Subsequently we see a full shot of him away the room in a bathrobe as he ruin what he has left inside. Finally there are close up shots of blood and urine samples as we see Vincent bind the urine sample to his thigh, putting blood into a fake finger tip and gluing the finger tip onto his own.
This artificial and clinical blue lighting, extreme close up and close up images reveal to the audience immediately that Vincent is affected greatly by his body, imprisoned by it mayhap. It seems as if he is in have to ridding himself of any samples of himself that might accidentally float off; perhaps his DNA requires camouflaging?
These very close up film techniques bring on the audience to a cramped and prison-like world in the opening scene because the world in the film is a world where people are trapped by their bodily DNA. condescension this, the main character Vincent, who has inferior DNA, desires to reach beyond these imprisoning circumstances, an Copernican idea in the film. As the opening scene of the film reveals to us, the character cramped in the shower desperately assay to rid himself of...If you want to get a full essay, order it on our website: Ordercustompaper.com
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