Human being have so often hazarded kayoed over untrodden paths and a
maiden lands that the mare act of discovering something sassy and
unexplored gives a sense of great achievement. The known, the familiar
and the common confines into insignificance before the unknown, the
familiar and the uncommon. Every successive age, in this sense, claims
to be advanced over the antecedent one. In literature, no slight in keep,
each new movement treads over the framing of the old one though
without its assured excellence.
The psychological novel, often termed the stream-of-consciousness
novel, steered allegory a look from its traditional grooves of external
reality and physical world in which it had been moving for over a
century to the new senses and perplexity of upcountry reality-the world of
fantasy, delusion and nightmares. It lays emphasis on interior than on
outdoor characterization, on motives and circumstances, the why and
wherefore of the external action earlier than the action itself, and on the
invisible than visible life.
The Indo-Anglian fiction presents a consistent picture of the changing social realities during this eventful century. Those enkindle in categorizing may find at convenient to set forth the Indian English fiction
into two broad categories, viz. the pre and note independence groups of
writers.
ANITA DESAI is a dominant figure in the twentieth century Indo-
Anglian fiction. She deserves a ceremony used in conferring knighthood
for her curious literary output. To continue obstinately in
unraveling the mystery of the inner life of her characters she shows her
eternal/everlasting interest in their psychic life. secrecy from society
and self-exploration is the recurring themes of her novels.
Women novelists necessarily have a special way of
looking at things because they live in rigorously check spheres. But
has neither distorted Anita Desais vision nor made it inferior. It
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